Tanigami Kônan Woodblock Print c. 1917Series: A Pictorial Book of Western Flowers

$ 66.0

Image Orientation: Portrait Signed: Yes Artist: Tanigami Kônan Item Width: 19 cm Time Period Produced: 1900-1924 Country of Origin: Japan Item Height: 28 cm Handmade: Yes height: 28 cm Original/Licensed Reprint: Original Production Technique: Woodcut Printing Region of Origin: Japan Unit of Sale: Single Piece Year of Production: 1917 Subject: Flowers, Poinsettias Style: Japanese Woodprinting Signed By: Tanigami Kônan Features: Limited Edition Material: Washi Paper Type: Print Size: Medium width: 19 cm Period: Early 20th Century (1900-1920) Theme: Floral

Description

Tanigami Kônan Woodblock Print c. 1917. Japanese woodblock print "Egyptian Water Lily (Nymphaea lotus)" By Tanigami Konan (Japan, 1879-1928), is printed on washi paper. Washi (和紙) is a traditional, durable Japanese handmade paper typically made from the inner-bark fibers of the kozo (paper mulberry), gampi, or mitsumata plants. Japanese woodblock print "Egyptian Water Lily (Nymphaea lotus)" By Tanigami Konan (Japan, 1879-1928) , is printed on washi paper. Washi (和紙) is a traditional, durable Japanese handmade paper typically made from the inner-bark fibers of the kozo (paper mulberry), gampi, or mitsumata plants. Konan’s woodblock prints reflect the abundance and nuances of light, shade, and Western perspective. His works are considered part of the Shin Hanga or “new prints” movement. Each woodblock print was folded and inserted accordion style, leaving normal and original fold lines mid section as well as toned areas from appropriate age. The publication of these prints in 1917 was a very interesting time in Japanese print making, when the old traditional ways of wood block printing were giving way to new western print making technologies such as lithography & photo mechanical printing. Artists and printers in Japan were losing their living and decided to pursue Western markets by reformulating their compositions. Heavily influenced by the Impressionist movement in France, light and shade became incorporated into their art along with Western concepts of perspectiv